西班牙MONTO微水泥

展開(kāi)杭州首家體驗(yàn)館

材料與空間結(jié)構(gòu)碰撞的火花

通過(guò)設(shè)計(jì)最大化表達(dá)材料所具有的魅力

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F L Y ?￠ ?D E S I G N

?美 · 因 苛 求

?MONTO 西班牙最大的涂料公司，全球獨(dú)家以火山巖為原材料的微水泥，擁有全球火山巖微水泥研發(fā)專(zhuān)利技術(shù)，躋身于歐洲涂料企業(yè)十強(qiáng)。



館長(zhǎng)希望盡可能縮短工期，在保證品質(zhì)的前提下，各部門(mén)高度配合不到半年的時(shí)間完美落地！落地實(shí)景100%還原效果圖，我們體驗(yàn)館效果圖發(fā)布之初便大受歡迎，粉絲紛紛詢(xún)問(wèn)什么時(shí)候可以打卡，菲拉想說(shuō)體驗(yàn)館已經(jīng)開(kāi)啟！歡迎各位品鑒！

大師通過(guò)理解自然獲得靈感

而我們

透過(guò)大師的眼睛尋找想像

本展廳的設(shè)計(jì)靈感源于抽象派畫(huà)家

卡西米爾·塞文洛維奇·馬列維奇

俄國(guó)烏克蘭至上主義倡導(dǎo)者

幾何抽象派畫(huà)家

至上主義藝術(shù)奠基人

設(shè)計(jì)師從這位畫(huà)家的幾何畫(huà)作中汲取靈感，由二維平面抽離應(yīng)用于三維空間，架構(gòu)出展廳結(jié)構(gòu)形態(tài)，以具體的幾何形體主導(dǎo)，迂回的動(dòng)線(xiàn)設(shè)計(jì)聚焦、強(qiáng)化各區(qū)域感受，結(jié)合特定區(qū)域視覺(jué)上的懸浮感，打造整個(gè)空間不受束縛，離心的動(dòng)感。

Designers draw inspiration from the geometry of the painter's paintings, by 2 d plane pull away used in 3 d space, architecture exhibition hall structure form, with specific geometric shapes, circuitous -process design focus, strengthen regional experience, combined with the specific areas of visual sense, make whole space is not bound, centrifugal move feeling.

空間軸側(cè)圖

由莫蘭迪畫(huà)作中提取的色彩應(yīng)用于空間之內(nèi)，莫蘭迪色系所獨(dú)有的溫柔，低飽和攜帶的樸素、寧?kù)o，色彩豐盈卻不張揚(yáng)，玩味空間。以簡(jiǎn)單的形式探索，形體、色彩、空間的關(guān)系，以不規(guī)則的幾何學(xué)形象去呈現(xiàn)。

Colors extracted from Morandi's paintings are applied to the space. The unique softness of the Morandi color system, the simplicity and serenity carried by low saturation, the rich but not conspicuous colors, play with the space. Explore the relationship between shape, color and space in a simple form, and present it in an irregular geometric image.

入口?

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Foyer

效果圖&實(shí)景圖

門(mén)洞多形異面形態(tài)構(gòu)建外露框架，主次分明的動(dòng)線(xiàn)規(guī)劃，不束縛于單一入口的多軌跡線(xiàn)路，守常規(guī)邏輯不失靈感性自由。?

The multi-shape and different surface forms of the doorway build the exposed frame, and the moving line planning with distinct primary and secondary is not bound to the multi-track lines of a single entrance, and it follows the conventional logic and does not fail perceptual freedom. ?

效果圖&實(shí)景圖

展廳入口，由此進(jìn)入體驗(yàn)館，門(mén)廳以幾何造型穿插結(jié)構(gòu)，鏤空、造型、三維的探索變異，視覺(jué)趣味的異想世界，傳遞不拘泥于定義的挖掘與延伸主題。?

The entrance of the exhibition hall, from which you enter the experience hall, intersperse the structure with geometric shape, hollowed-out, modeling, three-dimensional exploration and variation, and visual interesting fantasy world, conveying the theme of excavation and extension that is not restricted to definition.

效果圖&實(shí)景圖

材料依托于結(jié)構(gòu)呈現(xiàn)它的魅力 空間借助于材料填充情感

同一平面有意為之的高低錯(cuò)落，三兩步的階梯把控登堂入室的節(jié)奏，賦予體驗(yàn)館更多的層次和區(qū)域體驗(yàn)。頗有心思的細(xì)節(jié)臺(tái)階，矩形光影的鏤空隔墻，游走在每一寸的曖昧氣息，雖隔卻連。

On the same plane, the height is deliberately scattered, and the three or two steps of stairs control the rhythm of entrance and entrance, giving the experience hall more levels and regional experience. The detail step that has idea quite, the hollow out partition of rectangular light shadow, walk in the ambiguous breath of each inch, although lie between connect however.

由入口進(jìn)入到展廳內(nèi)部空間，以具體幾何為主導(dǎo)，從造型到色彩的調(diào)配與微水泥材料結(jié)合在一起，以及形似懸浮狀的圓形立體幾何居于兩墻之間，自由而靈動(dòng)。

效果圖&實(shí)景圖

空間結(jié)構(gòu)灑脫流暢、環(huán)環(huán)相扣，擺脫傳統(tǒng)材料的限制，微水泥獨(dú)一無(wú)二的藝術(shù)感及其強(qiáng)附著力，可以將各個(gè)空間、造型、完美地結(jié)合在一起，其他材質(zhì)難以比擬，達(dá)到無(wú)縫銜接的魅力。

效果圖&實(shí)景圖

峰回路轉(zhuǎn)，拾步而上，似氤氳包裹里的朝霞初露。 Fenghui Road turn, pick up and up, like dense package in the morning clouds first.

從角落里窺探，是影的藏匿，光的流連。

Peep from the corner, it is the shadow hiding, the light linger.

島臺(tái) Western Kitchen

效果圖&實(shí)景圖

體積與變量，造型與結(jié)構(gòu)的無(wú)限可能，娓娓道來(lái)。>Volume and variable, modeling and structure of the infinite possibilities, described.

效果圖&實(shí)景圖

微水泥的可實(shí)現(xiàn)藝術(shù)表面，展現(xiàn)其獨(dú)一無(wú)二的藝術(shù)感。 The realizable artistic surface of micro cement shows its unique artistic sense.

效果圖&實(shí)景圖

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畫(huà)筆勾勒的二維平面落實(shí)于三維空間，更具有靈氣與美感。 The two-dimensional plane drawn by the brush is implemented in the three-dimensional space, which is more nimble and aesthetic.

頂面結(jié)構(gòu)穿插銜接,貫穿空間的紅色主線(xiàn)。 The top structure is interspersed and connected.

會(huì)客區(qū) Reception area

效果圖&實(shí)景圖

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懸空不規(guī)則幾何，結(jié)合微水泥帶有的獨(dú)特質(zhì)感，打造一個(gè)自由舒張、不受束縛的空間形態(tài)。 The suspended irregular geometry, combined with the unique texture of micro-cement, creates a free and unconstrained spatial form.

效果圖&實(shí)景圖

會(huì)客區(qū)一面展覽，一面投影，三面各有其功能屬性，利用空間本身特性，以干凈、舒爽的方式把握空間占比，有條不紊地呈現(xiàn)空間中應(yīng)有的實(shí)用性狀態(tài)。

Receive a visitor area one side exhibition, one side projection, three sides each have its functional attributes, the use of the characteristics of space itself, with clean, comfortable way to grasp the space accounted for the proportion, an orderly way to present the practical state due in the space.

沙發(fā)背景墻之意有三：一為沙發(fā)靠背的安全感，二為工作室區(qū)間間隔，三為空間儲(chǔ)物，看似為墻，實(shí)則具儲(chǔ)物之能。?

The meaning of sofa setting wall have three: it is the sense of security of sofa back of a chair, two it is atelier interval interval, three it is the space stores content, look like be a wall, actually have store content can.

設(shè)計(jì)機(jī)構(gòu) I Designer Department：菲拉設(shè)計(jì)?

項(xiàng)目地址 I Project address：浙江杭州 濱江第六空間?

項(xiàng)目類(lèi)型 I Project type：全案?

面積 I Square Meters：170㎡?

攝影師 I Photography：瀚默視覺(jué)-小四