F L Y ?￠ ?D E S I G N
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# 無(wú) 界 #

卡洛·斯卡帕（Carlo Scarpa）

意大利現(xiàn)代理性主義建筑大師

從卡洛·斯卡帕的 Brion graveyard作品中汲取靈感，建筑的外部形式載入內(nèi)部結(jié)構(gòu)，空間用建筑的形式來(lái)表達(dá)；形狀不拘泥于任何內(nèi)涵或延伸的意義，它只代表它本身，它只代表美。

Drawing inspiration from Carlo Scarpa's Brion Graveyard works, the external form of the building is loaded into the internal structure, and the space is expressed by the form of the building. Shape is not bound to any connotative or extended meaning, it represents itself, it represents beauty only.

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?美 · 因 苛 求

與同一所房子的二次邂逅，是這個(gè)作品不同于其他的獨(dú)特故事背景，五年前業(yè)主找到我們做設(shè)計(jì)，因?yàn)樗饺嗽驔](méi)有落地實(shí)施。時(shí)隔幾年業(yè)主再次找到我們，同一所房屋、同一個(gè)設(shè)計(jì)師，不同的是居住理念與設(shè)計(jì)思維的變遷，“舊”房新思考我們與業(yè)主重新出發(fā)，第二次合作感嘆的不僅是設(shè)計(jì)上的優(yōu)秀表現(xiàn)， 以及時(shí)尚的更迭變遷、家居生活解讀的差異與成長(zhǎng)。

The second encounter with the same house is the unique story background of this work, which is different from other works. Five years ago, the owner came to us to do the design, but it was not implemented due to personal reasons. After a few years the owner again, we find that the same house, same designer, the living concept is different with the change of design thinking, the "old" we started off with the landlord to room new thinking, lamenting the second cooperation is not only excellent performance, the design and fashion change change, the differences between the household life interpretation and growth.

Porch / 玄關(guān)

效果圖&實(shí)景圖

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入戶(hù)廊道與廚房之間隔墻，一體兩個(gè)立面形成小V角，以微調(diào)的隱晦手法擴(kuò)展廊道，不限于入戶(hù)端景的局部處理，更是關(guān)照幾尺廊道的入戶(hù)感受，趣味傳達(dá)開(kāi)闊通透，玻璃隔斷顯露的廚房配色與比例分割，看似無(wú)意識(shí)的裝飾巧合，不乏殫精竭慮的自然手法填充空間情緒。

Enter a corridor and the partition between kitchen and two facades form V Angle, in order to fine-tune the obscure technique extension corridor, not limited to, a side view of local treatment, but also take care of a few feet corridor door feeling, taste convey open fully, to reveal the match colors with proportional integral kitchen, glass partition seemingly unconscious decoration coincidence, technique of natural depletion fill space thering is no lack of emotion.

Living&restaurant / 客餐廳

效果圖&實(shí)景圖

整合空間一體化，氣息的徜徉與互動(dòng)，窗外綠意室內(nèi)肆起，沙發(fā)的色、材質(zhì)的面，與光的舞動(dòng)，影的斑駁，賞畫(huà)亦是畫(huà)。

Integration of space integration, roaming and interaction of breath, green outside the window of the room, the color of the sofa, the surface of the material, and light dancing, shadow mottled, painting is also painting.

效果圖&實(shí)景圖

頂面藝術(shù)裝置隨風(fēng)而起，搖曳變幻，靜默表演一場(chǎng)舞劇，等風(fēng)歸，等來(lái)去。

The art installation on the top rises with the wind, swaying and changing, silently performing a dance drama, waiting for the wind to return, waiting to come and go.

自月夜到白晝，由林野至人間，裹挾優(yōu)雅馥郁的綠散落客餐廚始末。

From the moonlight to the day, from the forest to the world, carrying elegant and fragrant green scattered guests kitchen.

The study/ 書(shū)房

效果圖&實(shí)景圖

自白立體、結(jié)構(gòu)的交接，書(shū)房開(kāi)放式呈現(xiàn)對(duì)話(huà)過(guò)渡，亦外亦里、亦靜亦動(dòng)，細(xì)部的探究觸及，立面凹凸感、層次與漸進(jìn)、光的亮度與陰影神秘多變的姿態(tài)創(chuàng)造，材料肌理的表達(dá)變化見(jiàn)著于光之中。

Confessions three-dimensional, structural transition, the study open dialogue transition, also outside also inside, also static also moving, details of the exploration touch, elevation concave convex feeling, level and gradual, light brightness and shadow mysterious and changeable attitude creation, material texture expression changes seen in the light.

效果圖&實(shí)景圖

效果圖&實(shí)景圖

皎潔的月光穿越圣殿，載指引以探索。

The moon shines through the sanctuary, guiding it to explore.

Stairs&Corridor / 樓梯&走廊

知實(shí)用的克制手法推側(cè)墻，留出空白的樓梯一旁，變量削體的空間形態(tài)，從感受情緒出發(fā)，得到比失去的遠(yuǎn)遠(yuǎn)要多。多角度光線(xiàn)的投射，水平空間的互動(dòng)，垂直空間的交流，看似閑置的區(qū)域，卻是給予太多空間感受可能的隱晦技法，打開(kāi)整個(gè)居室上下樓層之間更多的流暢互動(dòng)。

Know the practical restraint technique to push the side wall, leave a blank stair side, variable cut body space form, from the feeling of emotion, get far more than the loss. Multi-angle light projection, horizontal space interaction, vertical space communication, seemingly idle area, but give too much space to feel possible hidden skills, open the whole room between the upper and lower floors of more smooth interaction.

質(zhì)樸泥灰色的侘寂氛圍， 墜入星辰云海、踏入鄉(xiāng)間泥塘，風(fēng)吹起的褶皺波瀾，水蕩漾的卷曲與柔讓?zhuān)矬w多變的形式，煉萬(wàn)物形態(tài)藏于精神之上。

Wabi-sabi atmosphere of plain mud gray, falling into the sea of stars and clouds, stepping into the mud pond in the countryside, the folds and waves blown by the wind, the curls and soft let of the rippling water, the changeable forms of organisms, the illusion of all forms are hidden in the heart.

The bedroom / 臥室

效果圖&實(shí)景圖

動(dòng)靜分離有序的空間布局，睡眠空間居于二樓；分層不斷風(fēng)格，泥土灰搭配黑白打造靜謐、清爽的居室氛圍。

The space layout is orderly with the separation of movement and movement. The sleeping space is on the second floor. Layering style, mud grey collocation black and white to make quiet, relaxed bedroom atmosphere.

效果圖&實(shí)景圖

一層 /First floor

二層 / Second floor

設(shè)計(jì)機(jī)構(gòu) I Designer Department：菲拉設(shè)計(jì)

項(xiàng)目地址 I Project address：浙江杭州 · 廣宇鼎悅府

項(xiàng)目類(lèi)型 I Project type：全案

面積 I Square Meters：170㎡

戶(hù)型 I Door Model：躍層

攝影師 I Photography：林峰