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夜幕降臨，告別白日的繁忙，屬于都市人的生活才剛剛開場。燒gè鳥，區(qū)別于中餐廳的正式與巷弄小店的隨性，以貼合城市的摩登姿態(tài)，佐以酒肉，成為治愈疲憊的不二良方。

As the night fell, the busy day finally came to an end. The urban life had just begun. Yakitori ya was different from the formal Chinese restaurant and the casual style of alley shops. With the modern posture of the city and the wine and meat, it became a good way to cure fatigue.

項(xiàng)目位于成都高新區(qū)天府五街港匯天地商圈，地處城市核心前沿區(qū)位，坐擁大量辦公人群，以高密度工作常態(tài)而聞名。故而回歸本次燒鳥店打造，如何貼合所在地氣質(zhì)，平衡快慢節(jié)奏，借由空間呈現(xiàn)，營造一方生活中愜意小憩的所在，成為本次設(shè)計(jì)試圖探討的命題。

The project is located in the Huitiandi Business Circle of Tianfu Wujie Port, Chengdu High-tech Zone. Located in the core and frontier area of the city, it is well-known for its high-density normal work. Therefore, returning to this Yakitori ya creation, how to fit in with the local temperament, balance the fast and slow rhythm, and create a relaxing place in one’s life through the presentation of space, has become the topic this design attempts to explore.

Part1 “對味的驚喜感” | Fitting surprise

門頭取日式傳統(tǒng)木屋結(jié)構(gòu)，借由鋁板材質(zhì)實(shí)現(xiàn)現(xiàn)代化表達(dá)，品牌圖騰演變而成的畫面如隨性潑墨揮灑般，以鏤空形式點(diǎn)綴于其中，雙層大檐臨街而立，開闊舒展，點(diǎn)明“主題”。區(qū)別于常規(guī)焼き鳥店大面積木材的運(yùn)用，外擺區(qū)選取黑白紅三色，以實(shí)現(xiàn)日系色彩語境的靠攏，奠定核心基調(diào)。并以此延展至材質(zhì)，通過黑色皮革、白色人造石與手工老舊紅磚及氛圍燈帶完成一一貼合。

▼屋檐分析，analysis diagram ?Fei Design Studio

新與舊在此完成對撞與共存，打破刻板印象，消解了新店特有的距離與陌生感，回歸城南特有的時(shí)髦氛圍，完成屬于空間的對味表達(dá)。

The new versus the old accomplished the collide and co-existence here, breaking the stereotypies, digesting the new store’s characteristic distance versus unfamiliar sensation, returning to the city’s characteristic trendy atmosphere, and completing the expression of taste belonging to space.

Part2 “親切的煙火氣” | A warm life atmosphere

沿兩側(cè)下壓坡面緩步向前，雙動(dòng)線與大幅玻璃外窗的設(shè)置，使得內(nèi)外場景持續(xù)而互通。檐下立面由鋁板完成整體輪廓包裹，經(jīng)手工腐蝕與封釉固化的處理，讓進(jìn)入者自入口處便感受到材質(zhì)所給予的親切熟絡(luò)。

Step forward slowly along the downward-pressed slope on both sides, with double-action lines and large glass windows set up so that the inside and outside scenes continue to communicate. The facade under the eaves is wrapped by aluminium sheet to complete the overall outline, and treated by manual corrosion and glaze solidification, the entrants will feel the intimate and familiar collateral from the material at the entrance.

推門即入，四方圍坐的格局沿吧臺有序散布，在讓人不感到擁擠的同時(shí)擁有相對獨(dú)立的空間。同時(shí)，區(qū)別于外部現(xiàn)代時(shí)髦的視覺傳遞，空間內(nèi)里通過桐木、老榆木與紅磚的大面積組合使用，經(jīng)由特殊拉絲染色與切割處理。讓人在進(jìn)入的剎那，便能迅速感知到設(shè)計(jì)試圖營造的質(zhì)感與溫暖并重的氛圍。

As soon as the door is pushed in, the pattern of four-sided seating spreads orderly along the bar, giving people less crowded space and relatively independent space at the same time. At the same time, different from the external modern and stylish visual transmission, the large-scale combination of Tung wood, elm and red brick is used in the space through special wire-drawing dyeing and cutting treatment. The moment they entered, they could quickly perceive the atmosphere that the design was trying to create, which was as warm as it was.

燈光在此，亦成為了重要的氣氛制造者。每張桌子都被特定的光源從上方照亮，像一枚枚蠟燭，搭配貼合人體工學(xué)設(shè)置的座椅，為客人帶來親密而舒適的就餐體驗(yàn)。

The light here had also become an important creator of the atmosphere. Every table was lit up by a specific light from above, like a candle, matched with a chair that was designed in accordance with human science, bringing an intimate and comfortable dining experience to the guests.

散落于地臺下方的光源亦如暖色線條般，引領(lǐng)著進(jìn)入者來到另一側(cè)可面對廚師、欣賞到烤串全過程的區(qū)域。在此，三五好友可臨窗而坐，在因炙烤而彌散的煙火氣中，卸下疲憊，感受食物帶來的滿足與愜意。

The light source scattered below the floor, also like warm colored lines, led the entrants to the area where the other side could face the cook and appreciate the whole process of the baking string. Here, several friends could sit with windows in front, unload exhaustion, and feel satisfaction and cozymase brought by food in the wake of a burning, diffuse fireworks.

Part3 “自得的療愈場” | Being cured by life

城南的日與夜，是工作與生活的交替切面。空間業(yè)態(tài)亦配合不同時(shí)段的需要，除了焼き鳥，也會(huì)提供午間主食。以此希冀在中午時(shí)段這一短暫用餐片刻，能為受眾提供可休憩放松的舒適場域。

Day and night in the south of the city are the alternating aspects of work and life. The space format also caters for different periods of time. Besides yakitori, lunch staple is also available. We hope that this short lunch at noon will provide our audiences with a comfortable place to relax and relax.

無論是軟硬高度適中的座椅設(shè)置，抑或是有意為之、稍矮一截，試圖讓人放下嚴(yán)肅板正的工作模式的桌子高度，以及桌子下方貼心的為收納衣物包袋而增添的皮質(zhì)底兜。空間的每一個(gè)細(xì)節(jié)，都從實(shí)用功能與有效拉近使用者心理距離出發(fā)，實(shí)現(xiàn)內(nèi)容豐滿與整體構(gòu)筑。

Whether it was the moderate height of the soft and hard seats, or the slightly shorter ones on purpose, it was an attempt to make people put down the table height of the serious working mode, and the leather bottom pocket that was added considerately to store the clothes bag under the table. Every detail of the space was based on the practical function and the effective way to close the psychological distance of the user, so as to achieve the content plump and the overall construction.

伴隨夜晚來臨，門頭檐面一改內(nèi)斂之態(tài)，經(jīng)由律動(dòng)的圖騰光影妝點(diǎn)，成為屬于空間的天然昭示，吸引著褪身各色樓宇的職人們前往于此，在熱騰的氛圍里，覓得久違的煙火氣。獨(dú)坐或獨(dú)酌，初見或小聚；酒肉為引，治愈身心；從妥帖的一餐開始，重歸自在生活。

As the night fell, the eaves on the door were changed to a reserved state. Through the rhythmic totem light and shadow makeup, it became a natural sign of space, attracting people after work to here. In a lively atmosphere, they found a long lost life atmosphere. Sitting or drinking alone, meeting for the first time or having a small get-together. Wine and flesh can heal everyone’s body and mind. Start with delicious food and return to a comfortable life.