“空間并非僅僅是物質(zhì)意義上的載物體容器，更是人類意識的幸福棲居之所。我們沒有投入到冗長的表達(dá)中去，也沒有迷失在光與影的細(xì)節(jié)中，而是感到自己面前有一種尋求自我表達(dá)的’本質(zhì)‘印象。”

—《空間的詩學(xué)》

中國文化源遠(yuǎn)流長，歷經(jīng)千百年的沉淀，每一座城，都有它獨(dú)特的城市精神。“天地之中”——鄭州，地處中原腹地，以水為始，傍水而生，黃河之水積淀千載的文脈與傳承。作為商都文化的重要發(fā)祥地，如何拾回這方地域的文化記憶，是自不待言的時代命題。

Chinese culture has a long history. After thousands of years of precipitation, every city has its unique urban spirit. Zhengzhou, known as "the middle of heaven and earth", is located in the hint erland of the Central Plains. It begins with water and grows along the water. As an important birthplace of shangdu culture, how to retrieve the cultural memory of this region is the topic of The Times.

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西溪而上千余里，北龍湖畔一朵雲(yún)。設(shè)計(jì)以人為本，期望喚醒人們對于中原文化的歸屬感，弘揚(yáng)民族文化自信。找尋到石材與木作最契合的交點(diǎn)，讓城市與自然成為家的歸屬。在令人沉醉的水光山色氛圍中，演繹東方生活美學(xué)。

The project is thousands of kilometers away from Xixi in Hangzhou, located by Beilong Lake in Zhengzhou, which is called A Cloud. The design is people-oriented, hoping to awaken people's sense of belonging to central Plains culture and promote national culture confidence. The design team found the most suitable intersection of stone and wood, making the city and nature become home. In the intoxicating atmosphere of water and mountains, ?it deduces the aesthetic of Oriental life.

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以禮為制，建筑的空間層次和序列沿對稱軸循序漸進(jìn)，營造出酒店式歸家儀式感。空間頂面斜屋頂造型與建筑“披檐”元素相得益彰，達(dá)到無邊界的自然融合。以中原文化為立意點(diǎn)，當(dāng)代藝術(shù)手法予以轉(zhuǎn)譯，令置身于空間的人在虛實(shí)之間，感受超越時間與空間的壯闊。

Taking ceremony as the system, the spatial level and sequence of the building are gradually along the axis of symmetry, creating a sense of hotel style home returning ceremony. The shape of the inclined roof on the top of the space and the architectural "cornice" elements complement each other to achieve a natural integration without boundaries. With the Central Plains culture as the starting point, contemporary art techniques are translated, so that people in space can feel the grandeur beyond time and space between the virtual and the real.

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建筑與人文、自然、空間聯(lián)結(jié)共生，物境、情境、意境妙合無垠，生活序章正徐徐打開。在地深厚文脈為索引，透過線條、材質(zhì)、肌理等元素的當(dāng)代演繹，挖掘城市豐富的人文底蘊(yùn)與自然美學(xué)。縱向敘事的手法將秩序性、層次性、儀式性鋪展開不同層次。光影的繪寫中，予人意猶未盡的視覺觀感與心境體驗(yàn)。

Architecture is associated with humanity, nature and space, and the physical environment, situation and artistic conception are in harmony with each other. As an index of the profound cultural context, designers explore the rich cultural heritage and natural aesthetics of the city through the contemporary interpretation of materials, lines, textures and other elements. The way of longitudinal narration spreads the aesthetic convergence of different levels of order, hierarchy and ritual. In the painting of light and shadow, it gives people a sense of vision and mood experience.

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塊面空間經(jīng)過重新解構(gòu)演繹，在有序中追求無序，設(shè)計(jì)不著痕跡地釋放空間的無限可能。歷經(jīng)歲月打磨的石材與千錘百煉的金屬兩兩相逢，自然造物與現(xiàn)代文明的碰撞對比強(qiáng)烈。細(xì)致的金屬網(wǎng)格屏風(fēng)若隱若現(xiàn)，頗具風(fēng)趣與互動。

After re-deconstruction and deduction, the space pursues disorder in order, and the design releases the infinite possibilities of space without trace. After years of grinding stone and tempered metal encounter, residents perceive the collision of natural creation and modern civilization. The subtle metal mesh screen is interesting and interactive.

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空間關(guān)系的微妙，在于息息相關(guān)而又視覺獨(dú)立，于觀者踱步間，引人入勝。設(shè)計(jì)者運(yùn)用線條的不同性格，旋轉(zhuǎn)樓梯曲線的旋轉(zhuǎn)與動感，賦予空間多變情緒。開放式構(gòu)設(shè)空間，在虛實(shí)互映中，與橫平豎直的線條產(chǎn)生流動的力量感，遠(yuǎn)觀近賞皆不群，交織出自然的詩意與東方的優(yōu)雅。

The subtlety of the spatial relationship lies in the fact that it is closely related and visually independent, which is fascinating when the viewer paces. Of spiral stair curve rotate and move feeling, gift dimensional changeful mood. The open structure space, in contrast with the virtual and the real, creates a flowing sense of power with horizontal, flat and vertical lines, interweaving natural poetry and Oriental elegance.

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時代向前，城市革新，AKASA對生活美學(xué)的探索永不止步。還原本真，時間的概念、空間的純粹融合一體，我們身處其中卻不自知，安然享受空間傳遞的每份愜意與美好。

As The Times move forward and the city is innovating, AKASA's exploration of life aesthetics will never stop. Restore the true nature, the concept of time and the pure integration of space, we safely enjoy every comfort and beauty transmitted by space.

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項(xiàng)目名稱 | 綠城鄭州湖畔雲(yún)廬會所

業(yè)主單位 | 綠城中國

項(xiàng)目地址 | 中國 鄭州

設(shè)計(jì)面積 | 940㎡

室內(nèi)設(shè)計(jì) | AKASA萬界設(shè)計(jì)事務(wù)所

設(shè)計(jì)主理 | 嚴(yán)宏飛

設(shè)計(jì)團(tuán)隊(duì) | 何彬、鄭恒星、董嬉嬉、江雨、鄭宏樑

主要材料 | 石材、木飾面、藝術(shù)涂料、金屬等

燈光顧問 | 見合燈光設(shè)計(jì)

攝影團(tuán)隊(duì) | ingallery

文案策劃 | Rita_嶸

AKASA萬界設(shè)計(jì)事務(wù)所（AKASA DESIGN），品牌命名源于梵文ākā?a，譯為“天空”，衍生為“純粹的空間”。“萬界”即無限之境，可以容納各種美好的可能性。AKASA萬界設(shè)計(jì)事務(wù)所，立足于東方，但不止步于東方。

AKASA萬界設(shè)計(jì)事務(wù)所認(rèn)為，設(shè)計(jì)是不斷消融邊界的過程。基于“無界·東方”的設(shè)計(jì)主張，我們試圖打破商業(yè)社會中存在的各種“界限”，以豐富的行業(yè)資源，專注于地產(chǎn)、商業(yè)、高端私宅、酒店等多領(lǐng)域，持續(xù)輸出極具前瞻性的設(shè)計(jì)與研發(fā)服務(wù)。

嚴(yán)宏飛

AKASA萬界設(shè)計(jì)創(chuàng)始人&設(shè)計(jì)主理

2022年度美國TITAN地產(chǎn)大獎評審

創(chuàng)始人嚴(yán)宏飛先生擅于精研空間設(shè)計(jì)的創(chuàng)新與應(yīng)用。以“無界·東方”為設(shè)計(jì)主張，堅(jiān)持認(rèn)為，空間設(shè)計(jì)是社會價值觀的折射，更是感性與理性的結(jié)合。在作品中，試圖建設(shè)一種“言有盡而意無窮”的空間文化體驗(yàn)，賦予當(dāng)代生活無限美好可能。

懷揣著以人為本的初心，萬界設(shè)計(jì)通過文化融合、項(xiàng)目定位、業(yè)主需求等多維度考量，為客戶提供創(chuàng)新及量身定制的方案，致力于成為中國當(dāng)代設(shè)計(jì)的新銳力量。近年來所獲獎項(xiàng)包括2021美國MUSE DESIGN AWARD 鉑金獎、2021法國NDA設(shè)計(jì)獎金獎、2021美國TITAN地產(chǎn)大獎金獎、2021意大利A’DESIGN AWARD 銀獎、2020美國IDA國際設(shè)計(jì)大賽金獎、2020法國雙面神“GPDP AWARD”國際創(chuàng)新設(shè)計(jì)大獎、金堂獎·2020中國室內(nèi)設(shè)計(jì)年度評選杰出作品獎等。

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△郡安里君瀾度假酒店

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△西湖邊的家

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△綠城武漢誠園

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△中交綠城桃源小鎮(zhèn)

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△綠城象嶼觀瀾逸品

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