前言Introduction

“凡是技術(shù)達(dá)到最充分發(fā)揮的地方，它必然達(dá)到藝術(shù)的境地。”——1985年香港匯豐銀行摩天大樓，F(xiàn)oster+Partners諾曼?福斯特

每一個(gè)美好的產(chǎn)品背后，必定帶著美學(xué)審美的生產(chǎn)過(guò)程。生產(chǎn)中的審美規(guī)律延伸出的不僅僅是關(guān)于產(chǎn)品的美，也是關(guān)于生產(chǎn)環(huán)境的美以及產(chǎn)品質(zhì)量的美。而崍州蒸餾廠在致力研究威士忌多元風(fēng)味的同時(shí)，從酒廠邁出，希望呈現(xiàn)品牌的文化與中國(guó)威士忌的態(tài)度，拉近與所有威士忌愛(ài)好者的距離，于上海開(kāi)設(shè)了第一間品牌體驗(yàn)酒吧。

Behind every beautiful product, there is always an aesthetically pleasing production process. The aesthetic trend in production extends not only to the beauty of products but also to the beauty of the production environment and the products themself.

▼酒吧門(mén)頭，Door of the bar ? Wen Studio

生產(chǎn)美學(xué)的空間置換Inspiration

位于四川省成都市邛崍市的崍州蒸餾廠，以“創(chuàng)造威士忌的更多可能”為愿景，隸屬于上海巴克斯酒業(yè)有限公司，也是全球少數(shù)同時(shí)擁有壺式和連續(xù)柱式蒸餾器的威士忌烈酒蒸餾廠。他們始終秉持著 “因自然而生，與自然同行”的綠色理念，目前已成為中國(guó)首家踐行凈零排放綠色理念，將碳中和作為長(zhǎng)期實(shí)現(xiàn)目標(biāo)的公司。這也成為了我們對(duì)于旗下上海第一間酒吧空間體驗(yàn)的設(shè)計(jì)出發(fā)點(diǎn)。

Bacchus has always adhered to the green production concept of “born from nature, walking with nature” based on having one of the few global whiskey distilleries with both pot and continuous column stills. At present, as China’s most extensive whiskey distillery, it has become the first group company in China to practice the green concept of net zero emissions and take carbon neutrality as its long-term goal. Therefore, the beauty of production naturally became the design inspiration for their first flagship whiskey bar in Shanghai.

▼主入口，Main entrance ? Wen Studio

“崍州吧”Laizhou Bar整體空間序列的營(yíng)造通過(guò)“引用”，“提取”，“放大工廠生產(chǎn)過(guò)程“的手法，將生產(chǎn)過(guò)程中所用材料的細(xì)節(jié)導(dǎo)入到酒吧空間形態(tài)的表達(dá)中。鏈結(jié)酒廠和酒吧兩個(gè)場(chǎng)域的互利共生，相輔相成。藉由酒吧設(shè)計(jì)的引導(dǎo)，創(chuàng)造出讓更多人想要了解品牌及工廠的興趣。

The build of the overall space sequence reflects quoting, extracting, and amplifying the factory’s production process and importing the details of the materials used in the production process into the space design. Create a mutually beneficial symbiosis between the winery and its bar space, and support each other.

▼入口處空間概覽，Overall view of the entrance space ? Wen Studio

處處呼應(yīng)的是品牌的涵養(yǎng)Concepts

崍州吧整體空間規(guī)劃由品鑒區(qū)、VIP室、酒吧區(qū)、廚房、衛(wèi)生間及室外外擺區(qū)域組成。綜合整間酒吧而言，不僅需要顧及實(shí)際的使用需求，更要表現(xiàn)出能夠與崍州酒廠兩相呼應(yīng)的品牌精神。

The overall space planning of Laizhou Bar comprises a whiskey tasting area, VIP room, bar area, kitchen, bathroom, and outdoor seating area. Regarding the whole bar, it is necessary to consider the actual consumer needs and show the brand spirit that can echo the Laizhou Distillery.

▼威士忌品鑒區(qū)，Whiskey Tasting Area ? Wen Studio

▼酒吧區(qū)，Bar area ? Wen Studio

流動(dòng)與無(wú)窮大兩相呼應(yīng)Flow meets infinity

具備絕佳釀酒自然環(huán)境的邛崍有著“天府南來(lái)第一州”稱號(hào)，同時(shí)也具有亞洲最大螢火蟲(chóng)的最佳觀賞地一說(shuō)。因而，我們利用酒廠威士忌橡木桶所拆掉的近6000片廢棄木桶片，以藝術(shù)裝置的型態(tài)連接了從外到內(nèi)的長(zhǎng)條型空間，將室外和室內(nèi)，以及室內(nèi)入口品鑒區(qū)和后場(chǎng)的酒吧區(qū)連接貫通，形成從內(nèi)到外流動(dòng)的空間視覺(jué)體驗(yàn)。

We used around 6,000 pieces of discarded wooden barrels dismantled from the whiskey barrels of the distillery to assemble the long site from the outside to the indoor entrance tasting area until the bar area in the back area to form a coherent flow spatial visual experience.

▼品鑒區(qū)座椅，Tasting Area Seats ? Wen Studio

▼品鑒區(qū)臺(tái)，Tasting Area bar ? Wen Studio

室內(nèi)品鑒區(qū)和酒吧區(qū)頂面的雙環(huán)結(jié)構(gòu)共同形成無(wú)窮大(∞)的符號(hào)視覺(jué)，與酒廠威士忌生產(chǎn)，肥料，蒸汽等的循環(huán)利用理念相呼應(yīng)。頂面由廢棄木桶片搭建形成的穹頂結(jié)構(gòu)突出了品鑒區(qū)作為空間中心的分量。通過(guò)一層層跑馬燈的燈光設(shè)計(jì)在晚上強(qiáng)化了獨(dú)特的自然時(shí)間延展的流動(dòng)感，也有一種彷佛是螢火蟲(chóng)停留閃爍般的視覺(jué)感受。

The double-ring structure on the top of the indoor tasting and bar areas forms an infinite visual impression, echoing the distillery’s green and environmentally friendly whiskey production methods. The dome structure formed by discarded wooden barrel pieces on the top surface highlights the particular function (whiskey tasting) as the center of the space. In addition, the lighting design of the marquee strengthens the unique flow of natural time extension at night.

▼頂面由廢棄木桶片搭建形成的穹頂結(jié)構(gòu)，The dome structure formed by discarded wooden barrel pieces on the top surface ? Wen Studio

循環(huán)，可持續(xù)，運(yùn)用自然circular, sustainable, using nature

崍州蒸餾廠在建筑建成后榮獲中國(guó)“綠色建筑”設(shè)計(jì)標(biāo)識(shí)三星的最高認(rèn)證，并且持續(xù)堅(jiān)持著對(duì)建筑、生產(chǎn)、和副資源回收三個(gè)方面的環(huán)保落實(shí)。所以，在材料的應(yīng)用上，我們秉持酒廠可持續(xù)的理念，利用酒廠廢棄的橡木桶片和酒桶金屬環(huán)作為整體最重要的構(gòu)造材料，形成了崍州吧獨(dú)一無(wú)二的室內(nèi)頂面結(jié)構(gòu)以及外立面。

Regarding materials, we adhere to the winery’s sustainable concept and use the winery’s discarded wooden barrels and barrel metal rings as the most important structural materials in the interior, forming the bar’s unique facade and ceiling structure.

▼酒吧區(qū)頂部的金屬環(huán)，Metal ring on top of bar area ? Wen Studio

▼金屬隔斷，The metal partition ? Wen Studio

每一片被拆掉的木桶片在木片彎曲弧度、寬度、長(zhǎng)度和紋路上均不同。通過(guò)每片不同的尺寸細(xì)節(jié)和紋路，我們把其進(jìn)行分類應(yīng)用到外立面和穹頂不同的位置中。我們很清楚的知道，廢棄的橡木桶數(shù)量是有限制的，在這個(gè)前提之下，評(píng)估整體酒吧的形象設(shè)計(jì)，針對(duì)雙環(huán)結(jié)構(gòu)的雙穹頂，我們決定如同筑巢般，先筑出品鑒區(qū)的穹頂，而后伴隨著時(shí)間的增長(zhǎng)而產(chǎn)生的廢棄木桶片，再一步步積累朝向酒吧區(qū)的穹頂做構(gòu)筑。而酒吧區(qū)的頂面金屬結(jié)構(gòu)為下一步木結(jié)構(gòu)的增加做好了現(xiàn)場(chǎng)的結(jié)構(gòu)基礎(chǔ)。

Each dismantled barrel piece is different in the curvature of the wood piece, width, length, and grain. Through the various size details and textures of each piece, we classify them and apply them to different positions on the facade and ceiling dome. Due to the limited number of discarded oak barrel pieces – quantity gradually increases with production. Therefore, for the double-ring structure, we decided to build the dome of the tasting area first like a nest. Then, with the growth of time, the discarded wooden barrel pieces are accumulated step by step towards the dome of the bar area for construction. The bar area’s top metal structure provides the foundation for adding the wooden frame in the next step.

▼金屬隔斷細(xì)節(jié)，Details of the metal partition ? Wen Studio

在流動(dòng)的造型基礎(chǔ)上，通過(guò)木結(jié)構(gòu)獨(dú)特的使用痕跡，帶給了空間特有的時(shí)間循環(huán)和歲月沖刷的歷史感。另外，在品鑒區(qū)和酒吧區(qū)的分區(qū)隔斷上我們把廢棄的金屬環(huán)以及裁切的一部分帶孔的木片結(jié)構(gòu)組合起來(lái)，形成上下連貫的材質(zhì)表達(dá)。并且運(yùn)用部分廢棄桶金屬環(huán)制作了VIP室中的燈具裝置，金屬環(huán)本色透過(guò)環(huán)境燈光的輔助，自然表現(xiàn)出一份特殊的藝術(shù)面貌。

Based on the flowing shape, the unique use of traces of the wooden structure brings a unique sense of history washed by time and years to the space. In addition, in the partition between the tasting area and the bar, we combined discarded metal rings and a part of the cut wood structure with holes to form a coherent material expression from top to bottom. At the same time, the VIP room lighting is made of metal rings of discarded barrels. The natural color of the metal ring is assisted by ambient light, which naturally shows a special artistic appearance.

▼VIP房間入口，Entrance of the VIP room ? Wen Studio

▼VIP房間的無(wú)紡布?jí)γ嬉约盁艄庑Ч琋on-woven walls and lighting effects in the VIP room ? Wen Studio

留痕，擬素材，重塑氛圍Leave traces, imitate materials, reshape the atmosphere

痕跡是威士忌生產(chǎn)過(guò)中一直存在的美學(xué)特征，比如橡木桶木片的橫截面細(xì)節(jié)、火烤木桶后存留的碳化表面，酒桶的滄桑之感與酒本身圓潤(rùn)的口感之間的對(duì)比以及蒸餾過(guò)程中銅壺伴隨溫度的變化等。

Traces are an aesthetic feature that has always existed in the whiskey production process, such as the cross-sectional details of the oak wood chips, the carbonized surface left after the fire toasted the barrel, the contrast between the vicissitudes of the barrel and the round taste of the wine itself, and so on.

▼紅酒木桶片細(xì)節(jié)，Details of red wine barrel slices ? Wen Studio

▼木片結(jié)構(gòu)細(xì)節(jié)，Details of wood chip structure ? Wen Studio

▼材料的回收與提取，Material recovery and extraction ? Wen Studio

▼組裝過(guò)程細(xì)節(jié)，Assembly process details ? Wen Studio

我們用無(wú)紡布模仿橡木的剖切紋，形成了空間中酒類展示背景墻，以及卡座區(qū)的上半?yún)^(qū)域墻體，伴隨著可變色微微發(fā)亮的燈光氛圍，中和了橡木給人的穩(wěn)重感，協(xié)調(diào)頂面的穹頂木結(jié)構(gòu)，將整體的空間氛圍引向年輕化。被煙熏過(guò)的金屬板和蒸餾的銅板材料形成除發(fā)光墻面另外的墻體部分，又將厚重感和酒吧的昏暗特質(zhì)進(jìn)行了重塑。

We use non-woven fabrics to imitate the texture pattern of oak to form the background wall of the wine display in the space and the upper half of the wall in the booth area. The changing color and slightly shining lighting atmosphere neutralize the sense of stability and coordination of the dome wood structure on the top surface, making the overall space atmosphere younger. The smoked metal plate and distilled copper plate materials form the other wall parts, which reshape the sense of thickness and the dark characteristics of the whiskey bar.

▼首層平面圖，ground floor plan ? RooMoo

▼紅酒桶回收木片外立面和頂面結(jié)構(gòu)，red wine barrel recycled wood chip facade and top structure ? RooMoo

▼威士忌品鑒區(qū)穹頂結(jié)構(gòu)，whiskey tasting area dome structure ? RooMoo

▼隔斷結(jié)構(gòu)，partition structure ? RooMoo

項(xiàng)目城市：上海

項(xiàng)目面積：200 平米

樓層：一層

商業(yè)形態(tài)：威士忌酒吧

客戶：巴克斯酒業(yè)

設(shè)計(jì)團(tuán)隊(duì)：RooMoo

建設(shè)單位：上海邑筑裝飾工程有限公司

燈光顧問(wèn)：歐羊（WOY）照明設(shè)計(jì)

主要材料：廢棄酒桶片，廢棄酒桶金屬環(huán)，灰色地磚，白色半透無(wú)紡布，古銅色金屬板，煙熏黑金屬板，發(fā)光亞克力

項(xiàng)目定位：上海富民路291號(hào)

攝影：Wen Studio

過(guò)程照片提供：RooMoo\邑筑裝飾

Project City: Shanghai

Project Area: 200 sqm

Business: Whiskey?

BarClient: Bacchus

Design Team: RooMoo

Construction: Shanghai Yizhu Decoration Engineering Co., Ltd.

Lighting Consultant: WOY Lighting?

DesignPrimary materials: pieces of discarded wine barrels, metal rings of discarded wine barrels, gray floor tiles, white translucent non-woven fabrics, bronze metal plates, smoked black metal plates, and luminous acrylic.

Project Location: No. 291, Fumin Road, Shanghai

Photography: Wen Studio

Process photo provided by: RooMoo \ Yizhu Decoration