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ZP Office——小空間的趣味性構建

Interesting Construction of Small Spaces

通道在楷素設計的空間中往往占有比較大的比重，因為我們把它視為一條有記憶、引人思考的“小徑”，“還有什么比一條小路更美的東西？它是生動而多變的生活的象征和形象。”——喬治.桑（Jeorge Sand）。它除了是通道也是不同功能空間的連接過渡，它往往是隱喻過去與未來、現實與夢境的媒介，它無足輕重又不可或缺。

A passage often occupies a large proportion of the space designed by the KES Design Office. Because we regard it as a “path” with memory to invoke people to think about what can be more beautiful than a path. It is the symbol and image of a vivid and varied life. -- Jeorge Sand. It is not only a passage but also a transition between different functional spaces. It is often a metaphor for the past and the future, reality and dreams, and it is both insignificant and indispensable.

楷素設計在通道中以廊柱的形式串聯起兩個樓梯空間、洽談空間以及接待空間，同時作為門廳的第一印象它具有對稱性和儀式感。提煉的廊柱細節隱喻這個空間的使用者（創意公司）將傳統文化與現代形式表達相結合的決心。

KES Design connects the two staircase spaces, the negotiation space and the reception space in the form of a corridor column in the passage. Meanwhile, as the first impression of the foyer, it has a sense of symmetry and ritual. The distilled corridor details are a metaphor for the determination of the user of this space (a creative company) to combine traditional culture with modern formal expression.

原空間是兩間層高為4.5米的辦公室，業主希望在有限的空間內設置辦公區、會議區、洽談區以及獨立辦公室。設計師以分散式的布局方式，弱化了以辦公區為核心的傳統方式，轉而向使用者與來訪者傳遞一種更加生活化、隨性舒適的氛圍，以此激發員工的創作靈感。

The original space was two offices with a height of 4.5 meters. The owner wanted to set up office areas, meeting areas, negotiation areas and separate offices within the limited space. With a decentralized layout, the designer departed from the traditional approach of focusing on office areas, and instead convey a more lifelike, spontaneous and comfortable atmosphere to users and visitors so as to inspire the creativity of employees.

為了最大限度利用采光，先把原空間打通，去除不必要的結構，設計出一個敞開式的使用空間，在有限層高的空間中實現閣樓的搭建并同時擁有通透高挑的空間感。樓板中間挖空的圓洞為相對低矮的空間帶來別有洞天的體驗感。

In order to maximize the use of light, the original space was first opened up and the unnecessary structure was removed to create an open space for use, which allows for the construction of a loft in a space with limited floor height and also provides a sense of transparency and high space. The round hole in the middle of the floor creates a sense of a special space for the lower space.

門廳設置了一個過渡空間，它類似于一個不規則的展示櫥窗，在地面以及墻面上以切割的小的條狀石材鋪設，結合玻璃磚的材質向來訪者傳遞公司所倡導的工匠精神。廊道右側設置了一個開放式的多功能空間，既是接待用的茶室又可以作為會議室使用。在整個辦公室開窗面積最大的立面從二層屋頂懸掛延伸至一層的懸空隔斷也以小的條狀石材飾面，既遮擋了戶外過強的光線又為休閑區營造相對舒適的圍合感。

A transitional space is set up in the lobby, which resembles an irregular display window, with small strips of cut stone on the floor and walls, combined with glass tiles to convey the craftsmanship advocated by the company to visitors. To the right of the corridor, an open multi-functional space is set up, which can be used as both a reception tea room and a meeting room. The overhanging partition that extends from the roof of the second floor to the first floor of the office with the largest window area is also finished in small strips of stone, which can block excessive outdoor light and create a comfortable sense of enclosure for the lounge area.

由于二層空間被一根結構梁一分為二，所以需要在空間中架設兩把樓梯以達到完全利用二層空間的目的。弧形樓梯置于廊道端頭，營造順勢而上的動線，同時作為空間中的端景而存在。另一個直形樓梯以嵌入的方式置于門廳旁，樓梯內綠色的材質為空間帶來色彩的變化也為空間帶來更大的趣味性。

Since the second-floor space is divided into two by a structural beam, two staircases are needed to fully utilize the second-floor space. The curved staircase is placed at the end of the corridor to create a flowing line of movement upward, while existing as a side view in the space. Another straight staircase is embedded in the lobby, and the green material in the staircase brings a change of color and more fun to the space.

二層的一半作為展廳使用，設計師在樓板中設置多個圓形與方形孔洞，使之在上下兩層空間之間產生通透的延伸感，以此打破受層高限制的壓抑感。從二層俯瞰廊道，是一排有序的拱形陣列柱式與吊燈，形成可讀性更強烈的空間秩序。

Half of the second floor is used as a showroom, and the designer built multiple round and square holes into the floor slab to create a sense of permeability between the upper and lower spaces, which breaks the oppressive feeling limited by the height of the floor. The view of the corridor from the second floor is an orderly row of arch-shaped array of columns and chandeliers, forming a more enjoyable spatial order.

空間中大量使用了原木色板材，裸露的天花板、柔和的涂料和溫暖的木質紋理為空間帶來更加自然的感受。多種材料的對比使用也增加了空間的節奏感和張力。立面上的多個條形開口以及直形樓梯的鋸齒狀踏步開口處理為空間增加一種特別的穿透感和窺視感，讓投射的光形成不同形態，營造柔和安靜的延伸感。

The space is heavily lined with original wood-colored panels, and the exposed ceiling, soft paint and warm wood texture bring a more natural feel to the space. The contrasting use of multiple materials also adds a sense of rhythm and tension to the space. The multiple bar openings on the facade and the jagged tread openings of the straight staircase add a special sense of penetration and peeking into the space, allowing the projected light to take different forms and creating a soft and quiet sense of extension.

設計師試圖從可持續的設計方法中尋找靈感：將施工過程中產生的廢棄包裝袋經過噴漆硬化處理后以藝術裝置的形式放置于廊道內，作為施工過程的特殊見證者而存在。設計師希望最終實現的是人與空間的對話，人與材料的對話。

The designer tried to find inspiration from sustainable design methods. The discarded bags in the construction were sprayed and hardened and then placed in the form of an art installation in the corridor, which exists as a special witness of the construction process. What the designer hopes to achieve eventually is a dialogue between people and space, and between people and materials.