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地處云南香格里拉，是由藏族民居房屋改造成民宿，項目占地5畝，室內面積約1800㎡，甲方的要求是整體風格不要藏式，對于一個二次設計的項目，第一次去勘測現場的時，整體藏房已經拆得所剩無幾，只保留了一部分的還沒來得及拆。

The renovation of Tibetan homestays located in Shangri La, Yunnan is a secondary design project and also a challenging one. Covering an area of 5 acres, with an indoor area of approximately 1800 square meters, Party A was not very satisfied with the previous design and contacted me to continue reshaping the design. The first party's requirement is that the overall style should not be Tibetan. When we first went to the survey site, the entire storage room had already been demolished to the point where only a portion of it had been preserved before it could be demolished.

項目的戶外景觀是非常好的，面向石卡雪山，背靠是依拉神山，前面是納帕海依拉草原。

The outdoor landscape of the project is very good, facing the Shika Snow Mountain and leaning against the Ila God Mountain. In front of it is the Napa Haiyila Grassland.

甲方的需求就是完工時間3-4個月，現有做好的結構和布局不做大改動，因為藏式風格太濃郁不夠放松，所以風格上不要藏式。

The first party's requirement is to complete the project within 3-4 months. The existing structure and layout will not undergo major changes, with 16 rooms and a lobby. The indoor budget is around 2 million yuan, as the Tibetan style is too rich and not relaxed enough, so the style should not be Tibetan.

一個具有文化符號很強的在地項目卻要拋開文化優勢，那么設計應該去舍棄什么？應該拿起什么？

What should a local project with strong cultural symbols abandon when it comes to setting aside cultural advantages? What should I pick up?

文化產物的興衰在時間的長河里面就是一個輪回，興與衰取決于該階段把持者的意圖，不同階段文化產物的意義也不徑相同。

The rise and fall of cultural products in the long river of time is a cycle of ups and downs, depending on the intentions of the controllers at that stage The significance of cultural products at different stages also varies.

時間不是文化產物推進的唯一，還有燃燒。

Time is not the only cultural product that advances, and there is also combustion.

通過對現有結構的火灼，加速建筑結構的表層歲月，從而去尋找到一個適合當下狀態。新加的結構形式就像一個可隨時拆卸的部件不過多的叨擾到空間的主體，對過往文化的尊重，結合當代的家具和設施完成新生。

By burning the existing structure to accelerate the surface age of the building structure, we can find a suitable current state. The newly added structural form is like a detachable component that can be dismantled at any time, but it does not interfere with the main body of the space. The respect for past culture is combined with contemporary furniture and facilities to achieve rebirth.

燃燒不光是尋找，還有第二層意義就是封存。

Burning is not only about finding, but also about sealing up.

于是對該項目立意：重新梳理原有的建筑語言，融合當代的手法來做出一個全新松弛的安定的觀景美學空間。

So the idea for the project was to reorganize the original architectural language and integrate contemporary techniques to create a completely relaxed and stable viewing aesthetic space.

因為當地氣候以及時間和預算的關系，確保設計更好的融入現有建筑，材質以及工藝方面就在地尋找，當地的石料、夯土、木雕、木材和可以完成項目的本地工廠等等。

Due to the local climate and time and budget constraints, it is important to ensure that the design is better integrated into existing building materials and craftsmanship. We are looking for local stone, rammed earth, carved wood, and local factories that can complete the project.

原有的建筑是藏式建筑常用的云杉木料，顏色會很黃，為了做出質樸的空間就用炭燒得形式來對木料進行脫色加工。

The original building is a Tibetan style building, and the commonly used spruce wood has a very yellow color. In order to create a rustic space, charcoal is used to decolorize the wood.

軟裝選擇了自然質樸帶有一些符號化的家具來配合室內。

The soft decoration has chosen natural and rustic furniture with some symbolization to complement the interior.

我給項目取名叫在野院。取自《易經》乾卦的爻辭九二：“見龍在田，利見大人”。

I named the project 'EVE REST POINT'. The line words from the Qian hexagram of the Book of Changes, Jiu Er Jian Long, meet the Lord in Tian Li.

和當地相輔相成，惠及鄉鄰，項目在享受當地文化滋養時，當地人可以此項目獲得就業機會和提升學習的地方。

Complementing and benefiting the local community, the project is a place where local people can obtain employment opportunities and enhance their learning while enjoying the nourishment of local culture.

當空間經過20-30年左右交還到本地藏民手中，自然的變化使得建筑表面的碳化慢慢剝開，露出原有的文化符號，就像破繭的蝴蝶，再次引來他新的生命。

After about 20-30 years of space being returned to the hands of local Tibetans, natural changes have caused the carbonization of the building surface to slowly peel off and reveal the original cultural symbols, like a cocoon breaking butterfly once again attracting his new life.