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頌藝術中心由資深時尚傳媒人蘇芒創辦，是北京798藝術區最新設立的藝術機構。藝術中心坐落于798主街，位于一座50年代蘇德中工業合作時期遺留的歷史風貌建筑中。90年代起，這些包豪斯風格的建筑滋養了日趨開放的藝術社區，為頂級畫廊和精品店鋪的不斷匯集鋪就道路。

Founded by a former media executive, the art center is the latest establishment in Beijing’s 798 district. Nestled in one of the buildings on the main street, it gets a touch of history symbolic of the Soviet-German-China industrial partnerships from the 1950s. In the 90s, these Bauhaus structures became the breeding ground for an emboldened artistic community, paving the way for a neighborhood hosting cutting-edge galleries and boutiques.

▼項目外觀，external view of the project ? 半野

該藝術中心項目取“sòng 頌”為名。盡管與英語中的“song”（歌；歌曲；鳴唱）相似，但它所代表的不僅僅是音樂藝術。這充滿詩意的名字取自《詩經》，是以敬畏之心，為崇高生靈而吟頌的禮贊。

The project takes its name from “sòng 頌”. Despite its similarity to *song* in English, it embodies more than the art of music. This poetic format originates from rituals that chant ode to higher beings with reverence.

▼項目室內空間，interior view of the project ? 金偉琦

任何文化都離不開儀式。TEMP團隊受托并憑借迥然于空間舊貌的設計，為該藝術中心奠定一個滿懷雄心的嶄新開始。團隊參考多種文化的儀式場所，精心打造了一場謙敬之旅，并為藝術的世俗精神而頌。

No culture lives without rituals. Commissioned to give the space an ambitious new start, TEMP revitalizes the space with a drastically different approach from its previous tenants. Referencing ritual sites from across culture, the team carefully crafted an unassuming journey singing to art, an ode to its secular spirituality.

▼項目剖面，section ? TEMP

壯闊之思

Grandeur Contemplation

在藝術中心的入口處，晶瑩的玻璃磚包裹著建筑原有的紅磚，優雅地點明了不透與通透、歷史與現代的共存共生。

At its entrance, shimmering glass bricks envelop the building’s original red bricks, gracefully illuminating the juxtaposition of opacity and transparency, history and modernity.

▼藝術中心入口，the entrance of Soul Art Center ? 金偉琦

▼入口處夜晚效果，the night view of the entrance ? 金偉琦

一條帶有神秘感的狹短通道讓參觀者由此而入。空間動線隨即分路至二層的會客廳和一層的主展廳。漫步進主展廳，每向前幾步，空間的體量逐漸增加，直至步入高達8米的主展廳中央，視野也突然大開。

A short narrow tunnel admits visitors with a sense of mystery. Circulation then splits into a lounge area on the second floor and a main exhibition hall on the first. As one strolls deep into the hall, the spatial volumes increase at each turn, dramatically opening up the vision for a hall of 8-meters high at its center.

▼狹短的入口通廊，the short narrow tunnel ? 金偉琦

TEMP 團隊設計了弧線形的頂棚，讓工業時代的鋸齒形屋頂更加平緩柔和。重復的屋頂曲線像云朵般，天窗正如云隙，透出多變天色，讓空靈的自然日光得以灑下并沐浴展廳。

TEMP designed curving overheads that gently weighs down the sawtooth roof from its industrial days. The repetitive waves, like clouds, hint at the changing sky seen through the skylights, allowing ethereal natural light to bathe the hall throughout the day.

▼視野開闊的展廳空間，dramatically opening up the vision for a hall of 8-meters high at its center ? 金偉琦

儀式之道

A Ritualistic Journey

在所有的文化中，光都兼具實用性和象征性。TEMP 團隊利用光，為寬闊的主展廳及私密的會客廳提供了靈活度。自然光所不及之處，則由人工照明延續營造充滿儀式感的體驗。

In all cultures, lights serve both practical and spiritual purposes. Where natural light doesn’t hit, artificial lights continue to accord with a wholesome ritualistic experience.

▼自然光下的主展廳，the hall hit by natural light ? 金偉琦

在舊的工業結構和新的弧形吊頂之間，隱藏著LED燈帶來照洗拱頂。在天色漸暗后，折射出柔和的光線。沿樓梯和通道，地燈嵌于狹長邊縫中，低吟出沉靜的淡淡微光。

Between the industrial framework and the new curving overhang, LED strip lights are installed behind the curves, washing up the vaults and bounce off soft light as the day winds down. Along stairs and pathways, up lights are fitted into narrow clefts, whispering fainting light of sedation.

▼LED光下的主展廳，the hall hit by LED strip lights ? 金偉琦

不同結構的墻面嵌孔被應用至這一藝術圣所。旨在為裝嵌不同尺度的藝術作品而特別設計，引人注目，同奉賞藝術而設的圣臺異曲同工。

Adding to this sanctuary of art are recesses of different shapes. Designed to frame art objects of various sizes, they draw the eyes and act as secular altars for art awaiting appreciation.

▼LED燈光與不同結構的墻面嵌孔相結合，LED lights combined with recesses of different shapes ? 金偉琦

中性色調的對比是藝術中心的底色。米色石膏和木質地板奠定了柔暖的環境基調，展現了創辦者的初衷 ——為參觀者提供親和的藝術場域。與此相對的，是灰色墻面在視覺上讓人們得以區分如藝術商店和接待處等次要功能區。

A contrast of neutral colors sets the character of the art center. Beige plaster and wooden floor create a warm environment that the founder envisioned for visitors. On the other hand, walls of ash grey lead them visually to secondary spaces like art shops and receptions.

▼柔暖的色彩基調，a contrast of neutral colors ? 金偉琦

靜雅之域

Intimate Restoration

TEMP利用獨特的2層平面構造，創造了體驗的反差。一樓觸動著浩瀚的深思，而二樓則輕喚著靜謐的修行。

TEMP takes advantage of the unique 2-floor configuration to create further contrast. While the first floor encourages grandeur contemplation, the second inspires intimate restoration.

▼靜謐的二層空間，the second inspires intimate restoration ? 金偉琦

二層的小空間以墻相互隔離。TEMP以輕盈的表現手法連接著這些空間，塑造著一段滿足好奇心的探索之旅。狹長的開口讓人可以窺視到隱秘而設的茶室，而步階、底部的開口和壁龕等空間元素則零散地喚起著人們對圣所的印象。

Partitions are installed to isolate smaller rooms from each other. TEMP stylizes their connections tenderly for a journey of curious exploration. Slit opening allows a sneak peek into a cloistered tea room, while steps, lower openings, and niches become scattered reminders of devotion.

▼圣所的印象，scattered reminders of devotion ? 金偉琦

▼隱蔽的茶室，a cloistered tea room ?半野

創辦者力圖打造一個立體的藝術雜志式空間，TEMP將靈活的功能設計和凝神的空間氛圍相結合，前者服務藝術的創作，后者喚及人文的渴望。

As the founder endeavors to create a multidimensional magazine for art, TEMP combines flexible functionality and contemplative impression, one serving artistic creativity and another, humanistic yearnings.

▼二層空間，the second floor of Soul Art Center ? 金偉琦