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20世紀30年代，這里修筑了八條以我國著名關隘命名的道路，因此這一區域被稱作“八大關”。八大關區域擁有著不同風格建筑佇立在不同的角落，讓整個八大關融入了童話一般的意境。關于八大關的海，八大關有一條延伸入海的石頭路，被看作是通往幸福的路。設計師W在海的這一邊的盡頭開拓了咖啡廳，正面對著八大關的海面，紅瓦綠樹，碧海藍天也不過如此。

▼店鋪門頭，The door of the cafe ? W SELECT DESIGN

In the 1930s, eight roads named after China’s famous passes were built here, so this area is called the “Eight Passes”. The eight major customs area has different styles of buildings standing in different corners, so that the whole eight major customs are integrated into the fairy tale-like artistic conception. Regarding the sea of the Eight Pass, the Eight Pass has a stone road extending into the sea, which is regarded as the road to happiness. Designer W opened up a cafe at the end of the sea, facing the sea of Badaguan, red tiles and green trees, and the blue sea and blue sky are just like this.

▼入口，Entrance ? W SELECT DESIGN

“無設計”作為一種全新的藝術表達，被設計師W放在sof詮釋著，因整個店鋪面對海平面，我們選擇運用可推拉的落地玻璃來銜接室內外，整體空間不做過多的表達與炫技，設計師W只想用最簡單的“真誠”來吸引來到sof的每一位顧客。

As a brand-new artistic expression, “no design” is interpreted by designer W in sof. Because the whole store faces the sea level, we choose to use push-pull floor-to-ceiling glass to connect the interior and outdoors. The overall space does not have much expressions and dazzling skills. Designer W only wants to attract every customer who comes to sof with the simplest “sincerity”.

▼入口處的吧臺，Bar at the entrance area ? W SELECT DESIGN

▼與室外連通的落地玻璃，The floor-to-ceiling glass to connect the interior and outdoors ? W SELECT DESIGN

▼室內概覽，Overall view ? W SELECT DESIGN

簡單的紅色洞石門頭，更加凸顯質感與層次，巨大的藝術留白，是想象力的載體，人的情緒意識，與物的精神哲思，敞開的玻璃門窗像人類的心房，迎接著每一口新鮮的海邊空氣，在純凈的審美框架中交融回響，讓咖啡廳與海達成自然和諧的共識。

The simple red cave stone door highlights the texture and level. The huge art leaves white space. It is the carrier of imagination, people’s emotional consciousness, and the spiritual philosophy of life. The open glass doors and windows are like human atriums, welcoming every fresh seaside air and echoing in a pure aesthetic framework, so that the cafe and the sea can reach a consensus of natural harmony.

▼從室內望向海邊，Looking out to the sea from inside ? W SELECT DESIGN

進入到室內，仿佛一場優美的家具交響曲，紅洞石材料需要經過多次的打磨處理，才能呈現出現在的致密結構、以及磨光性超群、色調柔和雅致同時又具有流暢自然的石肌理。

Entering the room is like a beautiful furniture symphony. The red cave stone materials need to be polished many times to present the dense structure, as well as excellent polishing, soft and elegant tones, and smooth and natural stone texture.

▼吧臺與客座區，Bar and seating area ? W SELECT DESIGN

設計師W選用knead Armchair捏泥沙發，彰顯原始流暢的輪廓線條，留有粘土手工捏制的拙感，造型如幽靈一般，也是在東方美學中發現小到人類的情緒，大到與這個宇宙發生的一切都息息相關。

Designer W chose a knead Armchair clay sofa to highlight the original and smooth outline lines, leaving a clumsy feeling of clay hand-kneading, and the shape is like a ghost. It is also found in oriental aesthetics as small as human emotions, which is so large as closely related to everything that happens in this universe.

▼捏泥沙發，Knead Armchair clay sofa ? W SELECT DESIGN

暖黃色的木地板，還原自然的生活，木質紋理勾勒出自然質感的空間，讓來到這里的每一位顧客都可以感受到溫馨與舒適。頂部天花以大片留白作為基底，空間敘事隨著每一件家具徐徐展開，溫暖的、舒適的氛圍才是他最終的目的，正如設計師W所說的“從走線的微小細節表達對設計的認真以及嚴謹”，看似簡單的材料組合，實則充滿了設計師對細節的把控。

The warm yellow wooden floor restores the natural life, and the wood texture outlines the natural texture of the space, so that every customer who comes here can feel warm and comfortable. The top smallpox is based on a large piece of white space. The space narrative unfolds slowly with each piece of furniture. The warm and comfortable atmosphere is his ultimate purpose. As designer W said, “from the small details of the line to express the seriousness and rigor of the design”, the seemingly simple material combination is actually full of the designer’s attention to detail. Control of the section.

▼自然質感的空間，The natural texture of the space ? W SELECT DESIGN

沒有刻意地造型，也沒有很多材料的拼接，就像站在sof看到的夕陽落入海面，只有簡單卻又熱烈地“真誠”。

There is no deliberate modeling, and there is not much stitching of materials, just like standing in sof and seeing the sunset falls into the sea, only simple but enthusiastic “sincere”.

▼紅洞石餐桌，Red cave stone ? W SELECT DESIGN