這家名為Nama的餐廳的設(shè)計(jì)玩的是對(duì)立的游戲，反映了日本的“侘寂”概念，即一種在不完美中發(fā)現(xiàn)美的美學(xué)。一個(gè)連續(xù)的線性座椅貫穿整個(gè)立面，并由一個(gè)花盆劃定界限，在空間和自然之間創(chuàng)造了和諧?；瑒?dòng)窗也允許自然光和微風(fēng)進(jìn)入室內(nèi)。

The design of this restaurant called Nama plays the game of opposites and reflects the Japanese concept of Wabi-Sabi–an aesthetic that finds beauty in imperfection. A continuous linear seat runs the entire length of the facade and is delimited by a planter that creates harmony between the space and nature.The sliding windows also allow the natural light and breeze to come inside.

室內(nèi)設(shè)計(jì)師Claudia Ornelas與工匠一起開發(fā)了非常特殊的裝飾和紋理。面積超過2370平方英尺，即220平方米的雙層高空間最重要的特點(diǎn)是Nigiris酒吧，人們可以在這里直接體驗(yàn)食物的制作。在材料和顏色的選擇上，Claudia Ornelas運(yùn)用了對(duì)立面，專注于光與暗、精細(xì)與粗糙之間的關(guān)系。例如，Nigiris酒吧由該地區(qū)的石頭制成，與橡木制成的甲板形成鮮明對(duì)比。酒吧上方懸掛著柳條燈，讓我們想起捕龍蝦的傳統(tǒng)籃子。

Interior designer Claudia Ornelas worked with artisans to develop very specific finishing and textures.The most important feature of the double height space–which spreads over 2,370 square feet / 220 square meters–is the Nigiris bar where people can have a direct experience with the preparation of the food.For the selection of materials and colors, Claudia Ornelas played with opposites, focusing on the relationship between light and dark, between fine and rough surfaces.For example, the Nigiris bar is made of stone from the region and contrasts with the deck made of oak wood.Wicker lamps are suspended over the bar and remind us of traditional baskets for lobster fishing.

沿著立面，圓形的銅燈放置在桌子上方，創(chuàng)造出不同的氛圍，使空間的規(guī)模人性化。它們是由來自墨西哥西部的工匠用一種特殊的錘擊方式制成的，這種錘擊方式使這種金屬幾乎具有“紡織品”的質(zhì)量。在通往浴室的樓梯上，棕櫚編織面板由格雷羅州的工匠制作，然后通過日本的Suminagashi技術(shù)升華，起伏的形狀和紅色色調(diào)與天花板的正交形成對(duì)比。浴室區(qū)域用淺色木材、有機(jī)形狀的鏡子和紅色裝飾，盡管高度較低，但給人一種寬敞的感覺。

Along the facade, copper lamps with their circular shapes are placed above the tables, creating a different atmosphere and humanizing the scale of the space.They were made by artisans from the west of Mexico with a special hammering that gave the metal an almost‘textile’quality.On the staircase that leads to the bathroom, the palm woven panels were made by craftsmen from the state of Guerrero before being sublimated by the Japanese technique of Suminagashi which undulating shapes and red tones contrast with the orthogonality of the ceiling. The bathroom area is adorned with light-colored wood, mirrors with organic shapes and red accents to give a feeling of spaciousness despite the low height.

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